La traducción del japonés en España ha sido poco estudiada desde una perspectiva histórica, especialmente en lo que respecta a los libros no literarios. Consequently, this study reveals the contentious nature of the state-led literary project, under which a national literature in global context is shaped collectively by actors both within and without the state. Based on the analysis, I argue that LTI as an intermediary formulates Korean literature with multiple components, combining the marketization of prominent writers with cultural consecration of non-commercial works, and universal literary values with nationalist cultural pride. This study articulates how LTI's embeddedness in networks of domestic and international literary actors, such as translators, publishers, academics, and critics, both enables and constrains LTI policy. Instead, the institutional strength of the state and the marginal status – globally – of a given literature are intertwined and mutually transformative for the global formulation of a national literature.

Analyzing LTI programs and participants in LTI policymaking and implementation, I advocate reconsideration of the conventional theorization of the state as either “strong” or “weak” in its control over national culture, corresponding to the degree of liberalization of market and politics. This study examines the activity of the Literature Translation Institute of Korea (LTI), a South Korean state agency promoting Korean literature internationally through translation.

Korean translator picture